Nicolas Claris  ·  Romain Claris  ·  2013

BANGLADESH !

Bangladesh  ·  2013
With Watever

Photo © Nicolas Claris — Film © Romain Claris — All rights reserved

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BANGLADESH !

When we proposed our collaboration to Marc Van Peteghem, we had no particular knowledge of Bangladesh, but we wanted to approach the subject without sensationalism — to show the beauty and pride of the Bengali people and their country. To draw closer, to bring our empathetic gaze, from human beings to human beings. We were not disappointed!

Our ambition was not to describe Watever's work — they do that very well themselves. Nor to explain the need to intervene in Bangladesh — that seems obvious to us. We simply felt the need to show the environment in which Watever operates, the stated goal being to inspire the desire to contribute financially to their cause by acquiring prints and/or the film.

Watever's work is humble, serious, and responsible, requiring significant human and financial investment. Through the sale of prints and the film, we can help Watever continue their selfless and effective work.

The making of these images was made possible thanks to the support of Watever's members, and in particular Marc Van Peteghem, Yves Marre, Jeremy Bertaud, Claire Tarbès and Sophie Daugé.

Romain and Nicolas Claris
Chittagong, Bangladesh, February 2013
Our work is an entirely charitable initiative — all proceeds are donated to the NGO Watever.

PS 2025 — Following serious political events in Bangladesh, Watever was forced to cease its activities there.

Bangladesh, a land of water par excellence, is crossed by mythical rivers that make it one of the most important deltas on the planet. Ancient fleets, virtually unknown to the rest of the world, lived and worked here for centuries — they have almost vanished, as engines replaced sails and steel supplanted wood.

WATEVER, a blend of Water and Ever, was born from my encounter with Yves Marre, who arrived by sea in Bangladesh with a barge he transformed into a floating hospital. Together we founded Watever with the will to help communities who live with water find new technical solutions, respecting economic, ecological and cultural development.

A shipyard — Tara Tari — was built. There we conduct research on biomaterials: jute fibre as a substitute for fibreglass, and bamboo to develop new boat-building planks, preserving traditional know-how while introducing new techniques. For the richness of maritime culture and the talent of this country's carpenters deserve to be preserved. Our team, made up of three generations from all walks of life, works alongside local communities, seeking to accompany an evolution rather than impose a change.

Nicolas and Romain Claris generously joined us last February, and it is their magnificent images — a gaze upon this beautiful country, an expression of their sensitivity and talent — that we are proud to present to you today.

Marc Van Peteghem, April 2013

Video

The film

Short version — English subtitles
Long version — 24 minutes — French

The photographs

Selection from the photographs of the exhibition. Large-format art prints produced by Dupon on Durst Lambda. Signed prints, limited edition.   Order a print or a copy of the film →

Exhibitions

Video

Exhibition visit

Galerie du Saint-James — Bouliac, Nov. 2013 — May 2014

The authors

Nicolas Claris

Nicolas Claris

Co-founder in 1993 of Claris Image Builder — Photographer

"It takes a lot of maritime knowledge to give each boat its most beautiful aspects. It takes a lot of technical knowledge to master the recent art of digital. It takes a lot of humility to serve your subjects, not use them. It takes a lot of energy to take on new challenges every year. It takes a lot of academicism to know how to break codes. It takes a lot of respect to avoid the easy way out. It takes a lot of love to make generous images. It takes a lot of open-mindedness to be a great artist." — Bruno Belmont, Product Development, Groupe Bénéteau

In 2008, Sinar entrusted him with an HY6 for a year of intensive testing under extraordinary conditions. Now addicted to medium format (large sensors), Nicolas Claris became one of Pentax's rare ambassadors from 2012 to 2021.

In 2022, he switched to even more technologically advanced Fujifilm equipment — still medium format, with a 102-megapixel sensor delivering exceptional colour and image quality.

Romain Claris

Romain Claris

Claris Image Builder — Video Director

"If a wide angle shot is what we can all do, detail is what is lacking for our image-drowned eye with which we look at the world. Then, only then — the fold of fabric in a sewing machine, the stroke of a brush on a white page, drops of rain on a train window, the hand of a sculptor, a pebble becoming a jewel, the flexible foot of a dancer… all these things filmed by Romain Claris move us because they allow us to see a wider, richer, more complex world than we thought." — Jacques Dubuisson, Screenwriter, Director

Romain Claris has been creating short films since 2000, selected and awarded at over a hundred international film festivals. Graduate of the Conservatoire Libre du Cinéma Français in Paris, 2005.

In 2020, he co-founded the Bordeaux Shorts Biennale. In preparation for 2026: the documentary Les comptes de la lune, an alternative history of the invention of numbers and calculation.

The partners

Prints produced by Dupon laboratory on Durst Lambda. All photographs were taken with lenses and two Pentax 645D cameras.

Dupon Laboratory

Prints produced on Durst Lambda.

Pentax

All photographs taken with two Pentax 645D cameras and lenses.