FRAGMENTS
Fragments of memory
Past moments
Fragments of stories
Enchanted murmurs
Gallant wanderings
Ephemeral whispers
Melted tales
Incandescent bodies
Ethereal vertigo
Elegant dream
Dissipated by the wind
Of light
VENUSIA - A reflection on beauty.
Today, AIs (Artificial Intelligences) generate new faces and "perfect" bodies on command. Everyone can choose their own enhanced, typified, smoothed image.
VENUS.IA was inspired by Praxiteles' Aphrodite in Cnidus, considered to be the first female nude in the history of art and the first aesthetic canon.
Constructed like a jigsaw puzzle, the shots try to fit together like an AI looking for images to analyze. The film focuses on the movement of each body part as it seeks out another to form a coherent whole.
If the weakest element determines the quality of the whole, if every piece, every shot of this puzzle is objectively beautiful... shouldn't that make for a beautiful whole?
But perhaps part of the beauty lies in the interstice, in the in-between, in the search itself.
For as soon as the pieces are all in place and fit together, ready to embody this "beauty", something seems to get lost, the magic slips away.
Shouldn't beauty remain in motion, so that everyone can be invited to their own subjectivity? Shouldn't we continue to build, to seek, to invent our own beauty, and free ourselves from these imposed aesthetic canons?
Romain Claris
December 2023
• Best experimental film award - Amsterdam World International Film Festival
• Best original experimental film Spain International Academy Arthouse Fest
• Silver award - Experimental Film - Milan Gold Awards Film Festival
• Best Experimental Film Indie Filmmaker Hall of Fame Awards
• Nominee European Cinema Festival
• Sélection Gala Cinema Internazionale - Venise
• Sélection German United Film Festival
• Selection French Independent Film Festival
• Selection Lumière Brothers Film Awards
• Selection Malta Film Festival
• Selection ONED Art/Experimental Film Festival
NICOLAS CLARIS
Co-founder in 1993 of Claris Image Builder - Photographer
"It takes a lot of maritime knowledge to give each boat its most beautiful aspects.
It takes a lot of technical knowledge to master the recent art of digital.
It takes a lot of humility to serve your subjects, not use them.
It takes a lot of energy to take on new challenges every year.
It takes a lot of academicism to know how to break codes.
It takes a lot of respect to avoid the easy way out.
It takes a lot of love to make generous images.
It takes a lot of open-mindedness to be a great artist.
It didn't take many years for Nicolas Claris to become one of the world's leading photographers, but since 2000, he has built on the strength of all these "lot of" achievements and continues to astonish us each year with his singular vision of the world around us, impeccably disruptive at times, joyously classic at others, and tenderly devoted, always.
Eclecticism is not an art in itself, but it gives Nicolas a freedom of tone, a creative force that enables him today to tackle any subject with that mix of skill and respect that makes us look at his work with a joyful pleasure, far from any seriousness, ready for any surprise.
This is the talent of Nicolas Claris, who has moved from being a photographer by necessity to becoming a contemporary artist who cannot be ignored".
ROMAIN CLARIS
Claris Image Builder - Video Director
«If a wide angle shot is what we can all do - more or less, we who have taken too many pictures at every turn and confused wide angle with an overall view - detail is what is lacking for our image-drowned eye with which we look at the world.
Then, only then the fold of fabric in a sewing machine, the stroke of a brush on a white page, the drops of rain on a train window, a pier by the sea, the hand of a sculptor, a pebble becoming a jewel, the flexible foot of a dancer, the look of a Bangladeshi fisherman, jute fibre becoming a boat, all these things, women, men filmed by Romain Claris, move us because they allow us to see, starting with the detail, a wider, richer world, more complex than we thought, so that, freeing our eye with his, we may be able to see better yet...»