Because life is all about color, for this exhibition we've chosen red... Magenta, ruby, purple, scarlet, vermilion, garnet, carmine, Grand Cru! Red evokes energy, nobility, vivacity, emotion... Feelings that are an integral part of our lives.
When it comes to red, wine and its biotope cannot escape our attention. Sensitive to the different expressions of wine through our senses, color seems to us, as men of images, the most appropriate to present our sensibility, where perceived color is fundamental and conducive to the imaginary.
On a March morning, we came across the Château Angélus. We knew it was him from the start. Moved by this love at first sight, we asked for carte blanche, and we got it...
When it comes to red, wine and its biotope cannot escape our attention. Sensitive to the various expressions of wine through our senses, color seems to us, as men of images, to be the most appropriate for the presentation of our sensibility, where perceived color is fundamental and conducive to the imaginary.
One morning in March, we came across Château Angélus. We knew immediately that it was the château. Moved by this love at first sight, we asked for carte blanche and got it...
We don't tame color, we attempt to capture and render it. We observe it, admire it, it transports us. With cautious steps, we approached to catch the richness of its reds, playing with different, even violent lights, even with the soft glow of a candle, to reveal, perhaps, unsuspected colors. Like a magician, the wine offered itself up to our incredulous eyes, its hue, its multiple, deep gradations, its sumptuous nuances seeming to wish to reveal its history.
When we began this work, we already had in mind soft, voluptuous images of persistent colors, bright or dark, pastel or vivid, with their dazzling transparencies, their unsettling and - almost - exhilarating promises.
Searching for the purity: a conceptual and visual approach sometimes close to abstraction, we have deliberately directed our gaze into the intimacy of surfaces and the depth of volumes, from the instant when colors play with us with the complicity of materials and light. With simple touches, we discover the infinitely colored, revealed in broad daylight, in high definition.
NICOLAS CLARIS
Co-founder in 1993 of Claris Image Builder - Photographer
"It takes a lot of maritime knowledge to give each boat its most beautiful aspects.
It takes a lot of technical knowledge to master the recent art of digital.
It takes a lot of humility to serve your subjects, not use them.
It takes a lot of energy to take on new challenges every year.
It takes a lot of academicism to know how to break codes.
It takes a lot of respect to avoid the easy way out.
It takes a lot of love to make generous images.
It takes a lot of open-mindedness to be a great artist.
It didn't take many years for Nicolas Claris to become one of the world's leading photographers, but since 2000, he has built on the strength of all these "lot of" achievements and continues to astonish us each year with his singular vision of the world around us, impeccably disruptive at times, joyously classic at others, and tenderly devoted, always.
Eclecticism is not an art in itself, but it gives Nicolas a freedom of tone, a creative force that enables him today to tackle any subject with that mix of skill and respect that makes us look at his work with a joyful pleasure, far from any seriousness, ready for any surprise.
This is the talent of Nicolas Claris, who has moved from being a photographer by necessity to becoming a contemporary artist who cannot be ignored".
ROMAIN CLARIS
Claris Image Builder - Video Director
«If a wide angle shot is what we can all do - more or less, we who have taken too many pictures at every turn and confused wide angle with an overall view - detail is what is lacking for our image-drowned eye with which we look at the world.
Then, only then the fold of fabric in a sewing machine, the stroke of a brush on a white page, the drops of rain on a train window, a pier by the sea, the hand of a sculptor, a pebble becoming a jewel, the flexible foot of a dancer, the look of a Bangladeshi fisherman, jute fibre becoming a boat, all these things, women, men filmed by Romain Claris, move us because they allow us to see, starting with the detail, a wider, richer world, more complex than we thought, so that, freeing our eye with his, we may be able to see better yet...»